Then we have the shifting of venue from the studio to reporters in the field, demonstrating the reach of coverage: the planet. As if this equals authenticity.
The managing editor, usually the elite anchor, chooses the stories to cover and their sequence.
The anchor goes on the air: “Our top story tonight, more signs of gridlock today on Capitol Hill, as legislators walked out of a session on federal budget negotiations…”
The viewer fills in the context for the story: “Oh yes, the government. We want the government to get something done, but they’re not. We want to government to avoid a shutdown. These people are always arguing with each other. They don’t agree. They’re in conflict. Yes, conflict, just like on the cop shows.”