These men, heroes that they are, have elevated the original work, turning it into a performance piece about the commodification and hipster-fication of people's homes. If you're going to treat a neighborhood like an art museum, why shouldn't the residents of that neighborhood charge admission like an art museum, particularly when many New Yorkers would never come to that patch of the city but to take a picture of a stencil painting of a beaver?
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This development is the most compelling thing about Banksy's latest work, which before had just been a stencil painting of a beaver gnawing on a felled parking sign.
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