Answer: Disney's "Snow White." Or should we say, Snow Woke and the Seven Virtue Signals—a painfully modern, unwatchable attempt to reimagine a classic fairytale into a limp, progressive sermon with goofy-looking CGI dwarves and zero charm.

Who didn't see this crash and burn coming? It was as plain as the face staring back at us in the mirror:

But let's call it what it is: a $330 million faceplant on Main Street, USA. And no, not even the magic kingdom can survive that kind of ideological collapse.

The reviews are in—and they're brutal. We're talking a literal fairy tale bloodbath.

"Lazy, visually repellant." The Independent

"Exhaustingly awful." The Guardian

"Disney has trashed its reputation." The Times

"A strange, hot mess." – Huff Post

"Listless." ScreenDaily

"Good enough… for TV." Vanity Fair

"Film has a major identity crisis." BBC

That wasn't a movie. It was a progressive hostage video.

But honestly, what did anyone expect? This wasn't a remake. This was a left-wing cultural correction—Disney's attempt to take a sweet, innocent fairy tale and inject it with enough gender politics, historical revisionism, and girl power nonsense to make even pink-haired cat ladies roll their eyes and groan.

Let's start with Rachel Zegler, the aggressively unlikable lead who somehow managed to turn Disney's most beloved princess into someone smug, bitter, and stunningly dull. But let's not pretend this all started with her. The seeds were planted with Emma Watson, who kicked off Disney's disastrous "course correction" when she reimagined humble, book-loving Belle as an independent pseudo-feminist. Granted, her version was a lot more subtle than Zegler's preachy take on Snow White—but that's where the decline began.

And it only got worse from there. Remember "The Little Mermaid" reboot? Yeah, the black girl playing a fair-skinned, red-headed mermaid. That was DEI wrapped in delusion.